Galen Cromar - 4/16/2010

If one was to consider some words and terms to describe Wes Anderson's films, perhaps a few that spring to mind are off-the-wall, distinctive, and colourful. The soundtracks to his films are no less so.

Here we have Indian music blending with early 60s mod/British Invasion, an almost comical singer/songwriter tune, and a 70s French pop-song-tribute to one of Paris' most famous streets.

Wes Anderson's wacky choices of music make for a colourful backdrop to his films, but also for an exceptionally enjoyable listen.

The opening track 'Where Do You Go To My Lovely' by Peter Sarstedt is a rhythmical, melodic, acoustic guitar waltz with occasional accordion input. The lyrics are humorous and thought-provoking at the same time.

The inclusion of three Kinks songs is a good move. 'This Time Tomorrow' and 'Strangers' are acoustic ballads, the former a questioning of what the future holds, the latter dealing with companionship. Two songs that fit the introspective tone of the film very well.

'Powerman' on the other hand is a hook-laden, up-tempo, uplifting rock song that's guaranteed to enliven.

The Indian music on the disc is a beautiful and integral part of this soundtrack. 'Arrival in Benares' is a song composed of sitar, xylophone and flute, an instrumental with a wonderful sunny feel. 'Memorial' is a shaker-driven, stripped down chanting song. 'Prayer' is a delightful accapella version of a traditional hymn.

The Classical music inclusion is emotive as well, with such tracks as Beethoven's rousing 'Symphony No. 7 - Movement IV' and the tranquil 'Suite Bergamasque' by Debussy.

The concluding track 'Les Champs-D'Elysses' is a toe-tapping, piano-driven, French-language tune with a catchy chorus. Guaranteed to raise a smile.

In conclusion, then, this CD not only stands as a fine soundtrack to an enjoyable, engrossing film, but also as an endlessly diverse, emotive album that will by turns relax, entertain, and cheer.