Nicolas Cage and Penelope Cruz star in this epic tale of love and war on a Greek island during World War Two.
Tina Turner, that dynamic diva of pop/soul/R&B from the 1960s to the 90s, sings like a woman whose life story is every bit as rough and tough as her voice. And What's Love Got to Do With It, based on her autobiographical account (in I, Tina, written with Kurt Loder) of her years under the iron fist of her abusive husband and musical partner/Svengali Ike, is further proof of what we've always known about Tina: She's what you call a survivor. The movie is sort of the Disney version of Tina Turner's story--a glossy but thoroughly enjoyable, old-fashioned showbiz biopic with laughs, tears, great music, and outrageous (but faithful) period decor, costumes, makeup, and hairstyles. Our Heroine triumphs not only over the rigorous demands of her career in the music business, but finally manages to bust out of her troubled, violent marriage as well and become her own person. This is a movie that'll have you shouting at the top of your lungs: "You go, girl!" --Jim Emerson
The controversy that surrounded Stanley Kubrick's adaptation of Anthony Burgess's dystopian novel A Clockwork Orange while the film was out of circulation suggested that it was like Romper Stomper: a glamorisation of the violent, virile lifestyle of its teenage protagonist, with a hypocritical gloss of condemnation to mask delight in rape and ultra-violence. Actually, it is as fable-like and abstract as The Pilgrim's Progress, with characters deliberately played as goonish sitcom creations. The anarchic rampage of Alex (Malcolm McDowell), a bowler-hatted juvenile delinquent of the future, is all over at the end of the first act. Apprehended by equally brutal authorities, he changes from defiant thug to cringing bootlicker, volunteering for a behaviourist experiment that removes his capacity to do evil.It's all stylised: from Burgess' invented pidgin Russian (snarled unforgettably by McDowell) to 2001-style slow tracks through sculpturally perfect sets (as with many Kubrick movies, the story could be told through decor alone) and exaggerated, grotesque performances on a par with those of Dr Strangelove (especially from Patrick Magee and Aubrey Morris). Made in 1971, based on a novel from 1962, A Clockwork Orange resonates across the years. Its future is now quaint, with Magee pecking out "subversive literature" on a giant IBM typewriter and "lovely, lovely Ludwig Van" on mini-cassette tapes. However, the world of "Municipal Flat Block 18A, Linear North" is very much with us: a housing estate where classical murals are obscenely vandalised, passers-by are rare and yobs loll about with nothing better to do than hurt people. On the DVD: The extras are skimpy, with just an impressionist trailer in the style of the film used to brainwash Alex and a list of awards for which Clockwork Orange was nominated and awarded. The box promises soundtracks in English, French and Italian and subtitles in ten languages, but the disc just has two English soundtracks (mono and Dolby Surround 5.1) and two sets of English subtitles. The terrific-looking "digitally restored and remastered" print is letterboxed at 1.66:1 and on a widescreen TV plays best at 14:9. The film looks as good as it ever has, with rich stable colours (especially and appropriately the orangey-red of the credits and the blood) and a clarity that highlights previously unnoticed details such as Alex's gouged eyeball cufflinks and enables you to read the newspaper articles which flash by. The 5.1 soundtrack option is amazingly rich, benefiting the nuances of performance as much as the classical/electronic music score and the subtly unsettling sound effects. --Kim Newman
Caleb, a 24 year old coder at an internet company, is forced to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl.
Queen Victoria strikes up an an unlikely friendship with a young Indian clerk named Abdul Karim. Click Images to Enlarge
Octavia Spencer joins a celebrated cast in this wonderfully moving film. Frank Adler, a single man (Chris Evans), is dedicated to raising his spirited young niece Mary (Mckenna Grace), a child prodigy. But Frank and Mary's happy life together is threatened when Mary's mathematical abilities come to the attention of her grandmother (Lindsay Duncan) who has other plans for her granddaughter.
A sweeping love story about a 1940s romance between two teens from very different worlds.
Virginia McKenna gives a moving, BAFTA-nominated performance as Violette Szabo, one of the Second World War's most revered heroines. The dramatic story of her resistance work, imprisonment and ultimate fate, Carve Her Name with Pride stands as a tribute to the secret agent who would be posthumously awarded the George Cross for her vital and courageous role in the fight against Nazism. Directed by the Oscar-nominated Lewis Gilbert and co-starring Paul Scofield and Jack Warner, this classic feature is presented in a brand-new transfer from the original film elements in its original theatrical aspect ratio. Following her recruitment by the Special Operations Executive, Violette Szabo volunteers to be parachuted into occupied France to re-organise a shattered resistance group. Though successful in destabilising German reinforcements for the battles raging on the Normandy front, Violette knows only too well that the life expectancy of an undercover operative can usually be measured in weeks and months... SPECIAL FEATURES: Audio commentary with Virginia McKenna and John Shirley (Editor) Original Theatrical Trailer Image Gallery
Please note this is a region 2 DVD and will require a region 2 or region free DVD player in order to play. The Theory of Everything is the extraordinary and uplifting story of one of the worlds greatest living minds, the renowned astrophysicist Stephen Hawking, and of two people defying the steepest of odds through love. The film, based on the memoir Travelling to Infinity: My Life with Stephen, by Jane Hawking, is directed by Academy Award winner James Marsh (Man on Wire).
Disgusted with the religious policies of King Charles I Oliver Cromwell plans to take his family to the New World. But on the eve of their departure Cromwell is drawn into the tangled web of religious tension and political infighting that will result in the British Civil War...
1940, London, the Blitz; with the country's morale at stake, Catrin (Gemma Arterton; Gemma Bovery), an untried screenwriter, and a makeshift cast and crew, work under fire to make a film to lift the nation's flagging spirits; and inspire America to join the war. Partnered alongside fellow screenwriter, Buckley (Sam Claflin; Me Before You), the pair set off to make a film that will warm the hearts of the nation and capture the imagination of the American population. Alongside Gemma Arterton and Sam Claflin, Bill Nighy (Love Actually) stars as fading matinee idol Ambrose Hilliard, who reluctantly joins their production in a supporting role. Based on Lissa Evans' novel, Their Finest Hour and a Half', THEIR FINEST is a witty, romantic and moving portrayal of a young woman finding her way, and her voice, in the mayhem of war and the movies!
Kenneth Branagh's 1993 production of Shakespeare's Much Ado About Nothing is a vigorous and imaginative work, cheerful and accessible for everyone. Largely the story of Benedick (Branagh) and Beatrice (Emma Thompson)--adversaries who come to believe each is trying to woo the other--the film veers from arched wit to ironic romps, and the two leads don't mind looking a little silly at times. But the plot is also layered with darker matters that concern the ease with which men and women fall into mutual distrust. Branagh has rounded up a mixed cast of stage vets and Hollywood stars, among the latter Denzel Washington and Michael Keaton, the latter playing a rather seedy, Beetlejuice-like version of Dogberry, king of malapropisms.--Tom Keogh
Based on Philippa Gregory's best selling The Cousin's War series, The White Queen is a stunningly rich tale of love and loss, seduction and deception, betrayal and murder, vibrantly woven through the stories of three different yet equally driven women - Elizabeth Woodville, Margaret Beaufort and Anne Neville. The year is 1464 and England has been at war for nine years battling over who is the rightful King of England. This is a war between two sides of the same family, The House of York and T...
While Christian wrestles with his inner demons, Anastasia must confront the anger and envy of the women who came before her. Bonus: THEATRICAL VERSION EXTENDED/ UNRATED VERSION DELETED SCENES TEASE TO FIFTY SHADES FREED 360 EXPERIENCES BEHIND THE SCENES WITH DIRECTOR E.L JAMES AND CAST MEMBERS Click Images to Enlarge
From master story teller, Guillermo del Toro, comes 'The Shape Of Water' - an other-worldly fairy tale, set against the backdrop of Cold War era America circa 1963.
Based on Peter Rock's novel My Abandonment, LEAVE NO TRACE revolves around a teenage girl (Thomasin McKenzie) and her father (Ben Foster) who have lived undetected for years in Forest Park, a vast wood on the edge of Portland, Oregon. A chance encounter leads to their discovery and removal from the park and into the charge of a social service agency. They try to adapt to their new surroundings until a sudden decision sets them on a perilous journey into the wilderness seeking complete independence and forcing them to confront their conflicting desire to be part of a community or a fierce need to live apart.
Following his Academy AwardÂ® nominated film The Theory of Everything, James Marsh directs the incredible true story of Donald Crowhurst (COLIN FIRTH, The King's Speech, Kingsman: The Secret Service, The Railway Man), an amateur sailor who competed in the 1968 Sunday Times Golden Globe Race in the hope of becoming the first person in history to single-handedly circumnavigate the globe without stopping. With an unfinished boat and his business and house on the line, Donald leaves his wife, Clare (RACHEL WEISZ, The Light Between Oceans, The Lobster) and their children behind, hesitantly embarking on an adventure on his boat the Teignmouth Electron. Co-starring DAVID THEWLIS (Anomalisa, The Theory of Everything) and KEN STOTT (War & Peace', The Hobbit), and produced by Blueprint Pictures (The Best Exotic Marigold Hotel, In Bruges), the story of Crowhurst's dangerous solo voyage and the struggles he confronted on the epic journey while his wife Clare and their family awaited his return is one of the most enduring mysteries of recent times.
The film tells the story of four young men from the wrong side of the tracks in New Jersey who came together to form the iconic 1960s rock group The Four Seasons.
Mary (Natasha Richardson) and Colin (Rupert Everett) first fell in love on a romantic holiday in Venice, Italy. Now four years later, they have returned to rekindle their romance and determine where their relationship is headed. What they don't know is why an English-speaking Venetian (Christopher Walken Pulp Fiction) is following them, watching them, and taking pictures. Soon they learn they are involved in a bizarre tale of sex, voyeurism, deception and passion. OscarÂ® winner Helen Mirren plays Walken's wife in a film that will take you into the dark world of charming yet dangerous strangers. Written by the great Harold Pinter from a novel by Ian McEwan, the film was directed by Paul Schrader (Director of American Gigolo and Blue Collar, and writer of Taxi Driver). Special features: Archive interview with Paul Schrader Original theatrical trailer Other extras TBC Fully illustrated booklet with new writing on the film by film scholar Dr Deborah Allison and on Harold Pinter by Guardian theatre critic Michael Billington, plus full film credits
From acclaimed director Ken Loach comes his new film, I Daniel Blake. Daniel Blake (59) has worked as a joiner most of his life in Newcastle. Now, for the first time ever, he needs help from the State. He crosses paths with single mother Katie and her two young children, Daisy and Dylan. Katie's only chance to escape a one-roomed homeless hostel in London has been to accept a flat in a city she doesn't know, some 300 miles away. Daniel and Katie find themselves in no-man's land, caught on the barbed wire of welfare bureaucracy as played out against the rhetoric of striver and skiver' in modern-day Britain.